He played a D-28 at The Concert for Bangladesh on 1 August 1971 with Leon Russell, for the Rolling Thunder Revue tour in 1975/76, and on the MTV Unplugged concert in 1995. Played during the Friends of Chile Benefit concert on May 9, 1974, and most likely during the “Blood On the Tracks” recording sessions.ĭylan used various D-28s and HD-28s. That same J-200 was used at the Isle of Wight festival, and it was supposedly a gift from George Harrison.ĭylan occasionally used 0 and 000 Martin 18s.įor a duet with Johnny Cash in 1969 he played a 000-18 on “Girl From the North Country”, and during the Guthrie Tribute Concert in January of 1968 he used a 0-18, He had a one with double pickguard which he used at the Newport Folk Festival in 1965, and another one that was featured on the cover of the Nashville Skyline in 1969. It’s safe to guess that this guitar was probably borrowed from Joan Baez, who had the exact same guitar while performing at the Newport herself.ĭylan has used a number of different J-200s. Used at the Newport Folk Festival in 1964 for the song “Mr. This guitar can be heard on “Another Side of Bob Dylan” released in 1964 and on “Bringing it All Back Home” released a year later. In 19 the trapeze bridges were replaced with standard pin bridges, because the previous design was proved to be flawed, so this particular model might as well be from this period (more info: Gibson Nick Lucas Special Flattop Guitar)
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The 19 models usually came with the trapeze bridge, which may be the case with this guitar, and the reason why it was later changed with a Guild bridge. This guitar had 13 frets, which is the case with models made between 19. It was originally sunburst, but it had been refinished blonde, and the original bridge was replaced with Guild-type bridge. Marc gave an interview telling that the guitar was previously owned by his sister Julie. Here’s a video of “Blowing in the Wind” recorded in 1963 featuring this guitar: Blowing In The Wind (Live On TV, March 1963)Īfter his J-50 went missing around 1963, Dylan bought this Gibson in a shop in New York called “Fretted Instruments” – owned by Marc Silber. It was also used for few songs on “The Freewheelin’” album in 1963. Going from that information, the guitar was most likely a Gibson J-50 – and based on the teardrop-shaped pickguard, it was most likely made between 19.ĭylan’s Gibson can bee seen on cover of the “Bob Dylan” album released in 1962. It’s hard to say what model it is exactly, but by looking at the Gibson logo on the headstock, it must have been made before 1948 when Gibson switched to a different logo design. This guitar can be seen at the EMP museum in Seattle. He was probably inspired to get a 00 sized Martin by Woody Gurthrie. As he wrote in his book “Chronicles”, he traded the guitar in 1959 while staying in Minneapolis for an electric guitar which seemed useless for him at that moment, and played it for couple of years that followed. Bob Dylan’s Acoustic Guitars: 1949 Martin 00-17 He has been described as one of the most influential figures of the 20th century, and was included in the Time 100: The Most Important People of the Century, and the Rolling Stone magazine ranked him at Number Two in their 2011 list of “100 Greatest Artists” of all time. This is the land of the free.”Īs a songwriter and musician, Dylan has sold more than 100 million records worldwide, and released 35 studio albums. You call yourself what you want to call yourself. In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas, explaining his change of name in a 2004 interview: “You’re born, you know, the wrong names, wrong parents.
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Robert Allen Zimmerman was born on in Duluth, Minnesota, United States. He started using the name “Bob Dylan” before 1960, while he was enrolled at the University of Minnesota, and playing at the local bars.